Epiphone Les Paul Studio middle position (both pickups), RFD, ENGL Screamer 50 clean channel set very clean, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ. Bypassed at the start to show the base amp sound.

Comparison clip with a warmer amp than the first one. Epiphone Les Paul Studio middle position (both pickups), RFD, 18 Watt normal channel set just over the edge of breakup, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ. Bypassed at the start to show the base amp sound.

Demo of the RFD+2 with three RFD gain stages and a single output buffer as per the "RF Drive, and what we might try next" thread under Pedals & Effects.

Demo of the RFD+2 with three RFD gain stages and a single output buffer as per the "RF Drive, and what we might try next" thread under Pedals & Effects. Epiphone Les Paul Studio bridge pickup. Bypassed at the start then switched in with 3 stages at full gain for the rest of the clip. The amp is a 3 watt subminiature valve version of an 18W Superlite TMB.

Demo of the RFD+2 with three RFD gain stages and a single output buffer as per the "RF Drive, and what we might try next" thread under Pedals & Effects. Epiphone Les Paul Studio bridge pickup. RFD+2 with 3 stages switched in at full gain. The amp is a 3 watt subminiature valve version of an 18W Superlite TMB.

Demo of the RFD+2 with three RFD gain stages and a single output buffer as per the "RF Drive, and what we might try next" thread under Pedals & Effects. Epiphone Les Paul Studio bridge pickup. RFD+2 with 3 stages switched in at full gain. The amp is a 3 watt subminiature valve version of an 18W Superlite TMB.

Clean with Strat ... Geezer

Single coils , first at noon then at 3 o'clock ...

Haven't been playing long so excuse the stuffups! Thrifty Croaker with standard 5F1 Champ circuit but grid stopper resistors added. No tone control or treble cut. A tweed tone would allow the volume to be nudged up a bit more, but it's getting a nice distortion without that. VVR up full for recording, volume on 2 and Celestion Super 8 small combo cab.

This is a real world example with both RFDs on set at different settings.

Thrifty Wreck clean to mean demo with some simple chords, all guitar volume knob controlled. Clean at the start has some hair, I didn't get it quite right. But the later clean bits are better. The mixer VU meter bounces around the same value clean bits and mean bits. Ibanez RG1620X. Volume control at the sweet spot around 6, all others 5, bright switch off.

Thrify Wreck. This time it's an Epi LP Studio. Volume control at the sweet spot around 6, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.

Thrify Wreck with an Epi LP Studio. Volume control at the sweet spot around 6, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ. (Badly played) rip off of a well known Trainwreck Express demo clip.

Thrify Wreck. This is an attempt at using some volume/sustain swells. It didn't come off as well as I would've liked. Back to the Ibanez RG1620X. Volume control at the sweet spot around 6, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.

Chords to a Spiderbait song BBD bypassed then on without boost. Followed by quick lead bypassed, then on without boost, then with boost. BBD settings - bright switch on (Gain becomes bass control), Gain 6, Tone 5.5, Level 4. Epi LP Studio, BBD, 18 Watt normal channel set clean, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.

Thrify Wreck with an Epi LP Studio. Volume control a bit higher at 7.5, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.

Thrify Wreck with an Epi LP Studio. Volume control at 7.5, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.

Thrify Wreck with an Epi LP Studio. Volume control at 7.5, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.

This is a clip of a Seagull A-6 made by Godin that I bought about a year ago. Nice sounding solid body acoustic electric. Basically straight into garage band with a touch of chorus.