Audio by genre rock
RFD Strat Demo
Submitted by katopan on Wed, 12/29/2010 - 10:402:43 minutes (1.87 MB)
Yamaha Pacifica 112 with Fender Noiseless single coil pickups, RFD various settings, ENGL Screamer 50 clean channel set very clean, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ. Bypassed at the start to show the base amp sound.
RFD Les Paul Demo
Submitted by katopan on Wed, 12/29/2010 - 11:012:06 minutes (1.93 MB)
Epiphone Les Paul Studio, RFD various settings, ENGL Screamer 50 clean channel set very clean, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ. Bypassed at the start to show the base amp sound.
RFD+2 Std Tuning
Submitted by katopan on Tue, 01/04/2011 - 11:191:42 minutes (1.95 MB)
Demo of the RFD+2 with three RFD gain stages and a single output buffer as per the "RF Drive, and what we might try next" thread under Pedals & Effects. Epiphone Les Paul Studio bridge pickup. Bypassed at the start then switched in with 3 stages at full gain for the rest of the clip. The amp is a 3 watt subminiature valve version of an 18W Superlite TMB.
RFD+2 Drop D
Submitted by katopan on Tue, 01/04/2011 - 11:241:24 minutes (1.6 MB)
Demo of the RFD+2 with three RFD gain stages and a single output buffer as per the "RF Drive, and what we might try next" thread under Pedals & Effects. Epiphone Les Paul Studio bridge pickup. RFD+2 with 3 stages switched in at full gain. The amp is a 3 watt subminiature valve version of an 18W Superlite TMB.
TTW Rock
Submitted by katopan on Fri, 11/11/2011 - 11:130:44 minutes (864.84 KB)
Thrify Wreck. This time it's an Epi LP Studio. Volume control at the sweet spot around 6, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.
BBD Spiderbait
Submitted by katopan on Fri, 12/02/2011 - 20:131:14 minutes (1.42 MB)
Chords to a Spiderbait song BBD bypassed then on without boost. Followed by quick lead bypassed, then on without boost, then with boost. BBD settings - bright switch on (Gain becomes bass control), Gain 6, Tone 5.5, Level 4. Epi LP Studio, BBD, 18 Watt normal channel set clean, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.
TTW Child
Submitted by katopan on Sat, 12/03/2011 - 06:431:06 minutes (1.26 MB)
Thrify Wreck with an Epi LP Studio. Volume control a bit higher at 7.5, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.
TTW Deuce
Submitted by katopan on Sat, 12/03/2011 - 09:100:40 minutes (786.78 KB)
Thrify Wreck with an Epi LP Studio. Volume control at 7.5, all others 5, bright switch off. Then it's a resistive L-Pad attenuator, 2x12 closed back cab, vocal mic, Mackie Onyx 1220 mixer, Cubase with no effects or EQ.
Pushy Croaker Teaser
Submitted by kyoungsteadt on Wed, 01/18/2012 - 12:360:52 minutes (817.19 KB)
Originally posted at PPWatt.
Rock's Thrifty Wreck Les Paul Studio
Submitted by kyoungsteadt on Sat, 09/22/2012 - 00:501:59 minutes (1.82 MB)
1x12 WGS British Lead 80 speaker.
Rock's Thrifty Wreck Explorer
Submitted by kyoungsteadt on Sat, 09/22/2012 - 00:532:00 minutes (1.83 MB)
1x12 WGS British Lead 80 speaker
Amp Dimed - Volume Control Test 1 by Particle
Submitted by particle on Tue, 10/02/2012 - 01:311:35 minutes (1.46 MB)
This is the first time checking out the amp. The first test was to see the amp's sensitivity and how well it responded to the guitar's volume control. All gain changes were made from the guitar's volume control.
Amp settings: EQ was set flat (12 o'clock), Volume and Presence were dimed (all the way up).
Speaker: Vintage 30 in a single 12" Mesa Boogie cabinet.
Mic: MXL R-40 Ribbon
Amp Dimed - Picking Sensitivity Test by Particle
Submitted by particle on Tue, 10/02/2012 - 01:461:00 minutes (942.38 KB)
This is the first time checking out the amp. The second test was to check out the amp's sensitivity and how well it responded to various degrees of pick attack. The only gain change was at the very end putting the guitar's volume control up full.
Amp settings: EQ was set flat (12 o'clock), Volume and Presence were dimed (all the way up).
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